Monday, May 4, 2009

Green on Green


[Above] Door, Tivoli Street
Albany, New York

Seeing color in the landscape is such a treat after a monotone, line drawing northeastern winter.

Went to the Port tonight based on rumors that the circus was coming to town. I really wanted to get images of elephants marching through the petroleum holding talks and mazes of pipes and sodium lights. The elephant train was late and I didn't the time nor the the inclination to wait. Damn carnies.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Fog is a Fattened Cloud


[Above] Fog, Overlook Mountain
Woodstock, New York

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Sunday, May 3, 2009

Dalai Lama Stencil


[Above] Dalia Lama Stencil
Alleyway, Burlington, Vermont

Andre the Giant has a posse.
The Dalia Lama has a street team.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Freedom of Speech Means Nothing


Freedom of Speech Means Nothing...
Graffiti, Burlington, Vermont

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
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© 2009 John Bulmer Photography | Throwing Pixels

The Armies of Progress March Blindly On


[Above] Albany Pinebush Landscape with Construction Vehicles
[Alternate Title] The Armies of Progress March Blindly On

Given enough time, everything will eventually be either a parking lot, strip mall, or abandoned retail space for new age churches to recycle and inhabit. Never do what cannot be undone. Profit trumps that every time.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Repeaters


[Above] View Downtown from the Roosevelt Island Tram
Tilt Shift Focus LensBaby 2.0
Manhattan, New York

Standing on a corner in lower Manhattan, a little disoriented but pleased to be away from the pattern of days that have settled in. You flip open your phone and dial the number. Push send the connection is shot out into the data streaming through the air. Both invisible and tangible all at the same time. Beamed to a rooftop cell tower, relying the blips to the outer world

Repeaters repeat.

Words fly out of the city on invisible arcs to preset destinations. None of us are strangers anymore.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Saturday, May 2, 2009

Burlington WIndmill


[Above] Windmill Outside of Burlington, Vermont

I find the road leading into Burlington from the south fascinating. The two lane strip of asphalt skirts a vast inland sea of farm fields and open space. The western horizon is dominated by the high peaks of the Adirondacks, and the light is almost always interesting. Century old farms dot the landscape as they they slowly shrink and fade in the northern weather. There is a lot to see, especially with camera in hand.

This windmill sits on a roadside hill about 20 miles from Burlington. It farms the wind tearing down from the mountains of New York and across Lake Champlain. There aren't too many of these old school windmills in the Northeast. Modern windmills are almost always derived from 1960's sci-fi geometry. Fired off a few shots from an old film camera on the way back from our last trip to Burly.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Friday, May 1, 2009

The Convenience Store at the End of the World

Went into a Cumberland Farms tonight to buy a water and there were 22 people in line. Each clutching a a few dollars and the impossible dream of winning the Mega Millions jackpot.

Bulmer Photography at: www.bulmerphotography.com
Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com


© 2009 John Bulmer Photography | Throwing Pixels

Sunday, April 19, 2009

Sponsors

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Haunted Hills


[Above] The lonely climb up Juniper Swamp
2009 Tour of Battenkill
Cambridge, New York

I am haunted by hills. Places I used to spend between 20 and 40 hours a week climbing. They always had epic names: Snake Hill, Blue Factory, Deep Kill, Smith Hill, Greylock. Add Juniper Swamp to that list. The Juniper Swamp climb was featured in this years edition of the Tour of Battenkill. 18% of loose dirt and gravel. Great place to watch a professional cycling race.

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Bulmer Photography in the Press



Photography experts help you pick out the right camera

In a day when we can easily snap pictures on cell phones and disposable cameras, getting the full beauty of the outdoors is often more complex than a simple point and shoot.

It is hard to describe the beauty of the outdoors in mere words. Photographers attempt to capture these sights from around the globe for the enjoyment of many more. However, it's important to consider that you will be lugging around all that gear.

"Choosing camera equipment for shooting on location takes some thought," said Allen Birnbach, a 30-year commercial and fine art photographer in Denver, Colo. "First, you have to consider the size and weight of the gear, especially if you will be carrying it around all day or plan on hiking into remote locations for an extended trip.

"One must think about the build quality, and how the equipment will hold up under the jarring and jostling of getting to the location, and deal with weather conditions once you are there."

Birnbach's commercial assignments for advertising and corporate clients have taken him to over 20 countries around the world. "I often times work in remote locations in transitional weather, and I want images that have the resolution to jump off the gallery wall at 30x40 inches," he said. "From the standpoint of rock solid dependability in that situation, my choice would be a Canon 1DsMkIII camera," which has a 21.1 megapixel digital single lens reflex, or DSLR.

John Bulmer, owner of John Bulmer Photography in Albany, N.Y., has shot adventure sports and remote landscapes in the Adirondack Mountains for more than 15 years.

"Mid-range DSLRs such as the Nikon D90 coupled with a 70-300mm f/4-5.6 lens offer a wide range of options without the bulk or weight of the heavier and more expensive pro-level cameras," he said. "The D90 reduces the learning curve with a variety of scene modes and in-camera image enhancement features.

Outfitted with a remote shutter release and a lightweight tripod like the Gitzo G1158T Traveler, the D90 can handle almost any shooting situation."

The D90 also has a more economical price tag for the average outdoor photographer, said Bulmer.

Ann Hawthorne, a National Science Foundation Antarctica program participant from Washington, D.C., knows firsthand how weather can affect your shooting.

"Digital cameras are not only battery hogs but battery dependent. An old Nikon FM2 and rolls of film can go forever in extreme temperatures — not so digital," she said. However, "my solution for working for days at a time in temperatures as low as 50 below was the simple, perfect, hard working Digital Camera Battery [or DCB]. Throw that charged puppy in its case with shoulder strap across your chest, under your arm inside your parka to keep it warm — connect it to your digital SLR and never miss a shot.

"I use the 40 watt version — small enough to hardly notice the added weight — and powerful, sturdy enough to never give it another thought. I am a dedicated, major fan. I could not have done the months long field work I have in the Antarctic without my DCB."

Outdoor photography means more than scenery for many photographers. Shooting wildlife with your camera means subjecting yourself and equipment to the same environment that your subjects feel most comfortable in — even if it is a 120-degree summer day to catch a tiger drinking from a waterhole or a dusty jungle in India.

Former U.N. photographer John Issac now concentrates on wildlife and nature. He prefers an Olympus E-3 has built in stabilizers and dust reduction features. "One has to remember when you are trekking and carrying a lot of our necessities on your back, you have to travel light. I carry a monopod sometimes because when the light is very low you need a little support," he said.

One more item many photographers say is necessary for good outdoor photography is high-quality photo editing software. While a photographer will look to take the perfect shot, sometimes poor lighting or other natural element can get in the way.

PHOTO CAPTION: The ideal camera depends on your skill level and what you need. For example, the Nikon D90 is portable and easy to use. CNS Photo courtesy of Nikon

COPYRIGHT 2009 CREATORS NEWS SERVICE

Friday, April 17, 2009

Vetical Liquid Promo Image



[Above] Vertical Liquid Website Coming Summer 2009

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Overlook Mountain Church

[Above] Church, Overlook Mountain
Woodstock, New York

Just back from a good day of shooting in the Catskills. First warm day of 2009. Stopped off in Woodstock to lunch among the hippies and day trippers up from New York City. Found this church up on the mountain over town. Creepy and beautiful all at the same time.

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Wednesday, April 15, 2009

12:45 AM



After awhile, all airports start to look the same. Airport food court transients stare into laptops while speaking details of a life temporarly left behind into cell phones. You watch people do the same things in different cities. Everyone is the same, only clothes, accents, and incomes vary. Fellow travellers move through people movers, information kiosks, and automated security warnings. The thought that "we are all in this together but working for limited resources and space" is inescapable. Seems true about everything in life, about the outer world. Cool & synthetic voices only hint at all the bad things that are out there possibly aligning against you at this very moment. As you watch CNN on the flat screen as you wait to remove your shoes at the checkpoint, you realize that too much of anything is a bad thing. This is especially true of information and imagination.

Planes drop in out of the landing pattern. Come in low over the lights of Westgate and follow the surface streets to the airport. You are in the last few minutes of a late night flight home over a blackout patchwork of mid-western farm fields and cities fleshed out in hundreds of points of light. As the plane banks on final approach, your window dips and the horizon bobs up into view. Like a ball held underwater, freed. And at 12.45am all the cars in the parking lots below have a strange sense of solitude about them. From 500 feet all the angles are different and strange yet completely familair. The street lights throw down cones of halogen and the world almost seems automated. Still moving but without the presence of people.

And just then it hits you. That the world goes on with or without you. Your return is elusive
Under cover of cool darkness. And tomorrow you will wake up with western dust still on your shoes and those handbills from the Vegas strip still in your coat pocket.

Sunday, April 5, 2009

Vertical Liquid


New from Bulmer Photography.
Vertical Liquid: Alpine & Surf Reconnaissance New England
Coming Summer 2009
www.verticalliquid.com

Tuesday, March 31, 2009

Fog


[Above] Brunswick Fog Sequence
Brunswick, New York

Saturday, March 28, 2009

Troy Sunset: 25 March 2009


[Above] Sunset, Troy, New York
25 March 2009
Test Exposure

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Friday, March 27, 2009

Project Urbex Poster: Silent Buildings


[Above] Project Urbex: Silent Buildings Poster
For information at:
Project Urbex: www.projecturbex.com
Revolution 7: www.revolution7.com

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Monday, March 23, 2009

The Old Troy Hospital & Empac Sunset


[Above] The Old Troy Hospital
a.k.a West Hall
Rensselaer Polytechnic Institute
Troy, New York

[Below] The Old Troy Hospital circa 1897


[Below] Empac Building Sunset: Spring 2009
Rensselaer Polytechnic Institute
Troy, New York


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Oakwood Archway

[Above] Oakwood Archway
Troy, New York

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Tuesday, March 10, 2009

2009 Bulmer Photography Print Ad Panels & Logo Remix


[Above] 2009 Bulmer Photography Print Ad Panels
Stock & Wedding Photography

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Saturday, February 28, 2009

Neptune Over the Horizon


[Above] Neptune Statue, Hilton Head Island, South Carolina

It is an act of civic planning injustice.

A 15 foot high bronze Neptune stands silently in the stillness of off season.

He stands with his back toward the water, as if guarding the marina of one of Hilton Head's low slung anonymous gated communities. The god of the ocean seems to have been tamed, caged, and relegated to greet snowbird shoppers in search for lighthouse magnets, shot glasses, and woven Baja pullovers. Looking into his weathered eyes is much like the scene from King Kong when the giant ape is caged and displayed as an oddity. The whole story is there, told in a glance. The patina hides nothing.

Neptune can never be counted out. The god of the ocean is not a greeter of shoppers, handing out smiley faces and tagging returns. The god of the deep could never man a visitor information kiosk, instructing well fed tourists to the nearest restroom. Neptune is noted for his rage and its manifestations: storms, earthquakes, and broken mountain ranges. Sometime in the future, Neptune will harness the energy from butterfly wing crosswinds somewhere off the western Sahara. Crosswinds what will eventually organize into a rotating mass of . Gaining power from the warm waters of the Caribbean, Neptune's storm will make the turn toward the mainland United States.

All the architecture on Hilton Head seems temporary. The island has been evacuated 3 times in twenty years. I am not so sure it is the best idea to place Neptune without a view of his watery domain. I wouldn't temp fate when surrounded. Living on the edge of the Atlantic in the midst of a cyclonic superhighway, Hilton Head needs all the good luck it can muster.

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Dowling Foundry Cover



[Above] Dowling Foundry
Savannah, Georgia

I shoot these DPW covers in almost every city I visit.
By now, I have a nice collection of them. -JB

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Tuesday, February 24, 2009

Killswitch Number 3


Visit www.killswitchmagazine.com for more details.

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Monday, February 16, 2009

Savannah Blues

[Above] Blues Band
Savannah, Georgia

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The Conformity of Leisure

[Above] Condos, Hilton Head Island
South Carolina

Off Season. Four million dollar homes sit abandoned on the fingernail of beach that surrounds Hilton Head Island. Perfectly manicured lawns and 9 foot plate glass windows wait for butterfly crosswinds somewhere in western Africa to push a wave out into the Atlantic. That wave, Neptune's rage, will erase millions of dollars of real estate only to have insurance dollars come to the rescue.

And the outside world will watch while CNN provides both the theme music and live satellite shots from hotel balconies. Eventually, the weather from Cape Fear to 31 North will boil. It is only a matter of time. But this is the off season, and the only drama here is based around the air temperature reaching 70 degrees in the morning. It is a constant source of contention among the snowbirds from Long Island and Westchester.

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Saturday, January 24, 2009

Project Urbex


[Above] Project Urbex: Infrastructure at Art
More information at: www.projecturbex.com

Project: URBEX stands for Project Urban Exploration. Urbex is the examination of the normally unseen or off-limits parts of urban areas or industrial facilities. Project: URBEX is an ongoing photo essay documenting the disappearing landscapes of the recent past. There is beauty in infrastructure. Project: URBEX seeks to document that beauty before it is gone forever.

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Monday, December 29, 2008

Hopper


[Above] Hopper
Troy, New York

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Antique Coke Machine

[Above] Antique Coke Machine
Poestenkill, New York

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