Showing posts with label press. Show all posts
Showing posts with label press. Show all posts

Monday, November 7, 2016

Behan In Focus | John Bulmer Photography


Big thanks to my friends at Behan Communications for profiling John Bulmer Photography on their social media channels for Behan In Focus.

Behan Communications speculates in public affairs, media relations, government relations, crisis communications, litigation communications, community relations and strategic business research. Learn more at www.behancommunications.com.

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2016 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved

Sunday, February 7, 2016

America's Best Racing | John Bulmer Photography

Thanks to America's Best Racing for the great comment about John Bulmer Photography's work at Halfmoon Cellars Winery in Saratoga Springs, New York. 




"There are also some gorgeous photos on the wall from John Bulmer, one in particular caught my eye, a rocking chair with wine barrels felt incredibly real and made me want to climb into the picture and enjoy the view with a glass of wine."

–Geoff Worden, Wine Night in Saratoga Springs, America's Best Racing.

Read the story here: http://bulmer.info/winenightsaratoga


Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2016 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved

Wednesday, July 2, 2014

Reclaimed Cities on WTEN


[Above] WTEN's piece on the Reclaimed and Dark Cities series. 
Originally aired on 06.27.2014
Video produced by Ric Easton.

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2014 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved

Monday, May 19, 2014

The Capital Region After Us.





Have you ever wondered what the Capital Region would look like if everyone just disappeared? Whether it was from zombie apocalypse or mass exodus, the landscape would certainly change if we weren't around to mold and maintain it.

 Photographer John Bulmer has taken this idea and turned it into two series of remarkable of photo illustrations. His Reclaimed series imagines an abandoned Capital Region landscape after a catastrophic situation. The Dark City series is a little more peaceful, imagining how our region would look at night without artificial light from sources such as buildings and streetlights.

 The images in both series are eerily believable.

What's your background in photography? When did you get started?

 I've been a professional photographer since 1999. My father introduced me to photography at an early age, and we had a dedicated darkroom in our house. I knew how to dodge and burn an image by the time I was 8. I spent countless hours on wildlife and location shoots with him. Photography has been a constant in my life since I was young. It's important to find locations that are well known because the transformation has more impact that way. Before focusing on photography, I was a graphic artist. I've designed everything from corporate identity systems, storefronts, packaging, and websites. I've even illustrated a book.

 What inspired you to create the Reclaimed series and the Dark City series? 

As a photographer, I attempt to show the viewer their city in a different way, making the well known seem new again. I really enjoy when people see my more traditional images and rediscover the beauty of their hometown viewed with a different perspective. The Reclaimed series and Dark City series are an extension of that concept. Both series offer a different perspective on the known landscape. I also think people enjoy seeing the transformation. The Reclaimed Cities series imagines what the Capital District would look like if it were completely abandoned. The Dark Cities series shows what our nighttime sky would look like if there were no light pollution or electricity. Honestly, it's a great deal of fun to build these images.

For those photos, is it all about getting the right photo to start with, or is it mostly post-processing to create effects? 

 It's a combination. Sometimes I have a preconceived idea and go out and find the right image, sometimes I stumble upon the right setup. It's important to find locations that are well known because the transformation has more impact that way. I often Google how something is constructed so I can destroy it accurately in Photoshop.

What is your process like for creating a photo like those in the Reclaimed and Dark City sets?

It's an evolution. The images grow in complexity as I add more detail in an effort to make them as realistic as possible. I often Google how something is constructed so I can destroy it accurately in Photoshop. Images usually take between 3-5 hours to compete after the initial base image is captured. The completed Photoshop images often have hundreds of layers. What's your favorite project that you've worked on recently and why? I love shooting severe weather. Shooting weather brings together science, technology, art and logistics. It's also really, really fun.

© All Over Albany
www.alloveralbany.com

Purchase at: www.shopbulmerphoto.com
Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2014 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved

Saturday, February 22, 2014

Nero Trigger Review


My recent review of the Nero Trigger is now available at www.nerotrigger.com/reviews.

Purchase at: www.shopbulmerphoto.com
Flickr Photostream at: www.flickr.com/photos/johnbulmer

© 2014 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved

Monday, August 29, 2011

John Bulmer Photography in the NY Daily News

[Above] John Bulmer Photography is now listed by the New York Daily News in the Life & Style Section. Visit the New York Daily News at www.nydailynews.com

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com.
All Rights Reserved.



Wednesday, May 11, 2011

John Bulmer Photography
in the June 2011 New York State Conservationist

[Above] John Bulmer Photography has 2 images in the June 2011 New York State Conservationist's feature More Than a Working Forest.

More Than a Working Forest outlines New York State's 2010 acquisition of 89,000 acres as a working forest easement. I am again honored to be included in such a publication. I feel strongly about the preservation of open and wild spaces. Each year I spend countless days in the Adirondack backcountry hiking, climbing, and shooting images like the ones above. I look forward to exploring these newly acquired lands.

[Image 1] Summit View from Maccomb Mountain, Adirondack Park, New York State
[Image 2] Hiker in the rain, Lower Wolfjaw Mountain, Adirondack Park, New York State.

Visit the New York State Conservationist's Website [here]
Visit www.fortysixpeaks.com to view more of my backcountry and action sports photography.

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com.
All Rights Reserved.

Some content © New York State Department of Environmental Conservation, Conservationist Magazine.

Saturday, April 2, 2011

In the Press: 5 Questions with John Bulmer


Five Questions for April 2, 2011: John Bulmer
Published: Saturday, April 02, 2011, Troy Record
Click here for the original article on troyrecord.com

By Danielle Sanzone

John Bulmer is a photographer, designer, and owner of John Bulmer: Photography & New Media Development. Originally from Troy, he attended Troy High School, The College of Saint Rose, and Russell Sage College. He has degrees in art/design and history. He is currently building a house in Saratoga County for his family including his wife, Kristen, and daughter, Ava.

Q: What do you do with the Photography and New Media Development business?

A: I create various visuals for all sorts of applications. As a photographer, I have shot in all sorts of conditions and situations. I shoot weddings, commercial work, mountain bike and road cycling races, portraits, and fine art landscapes. As a new media designer, I work in all aspects of Web page creation, and brand development. My roles as designer and photographer often overlap. That's the fun part. It's very satisfying having the capability to integrate my photography into compelling, successful design. I started my business in 1999 and I'm located in Saratoga County.

Q: Any favorite projects thus far?

A: I love everything about photography. Life is never boring with a camera nearby. But, my favorite photo project so far is getting the cover of the February 2011 issue of the New York State Conservationist for the Year of Forests. For design, I often work with a film director from Colorado designing materials for his climbing and mountaineering documentaries. On both counts, it's a pleasure to be able to integrate the things I love into my work life.

Q: What is included in the New Media Development aspect?

A: Developing new ways to use traditional visuals. This often includes social media like Twitter, Facebook and Tumblr. My Web site is www.bulmerphotography.com.

Q: Hobbies?

A: Reading, running, hiking, blogging, photography, cycling.

Q: If you had to pick between a keg and eggs, what would you pick?

A: I have been a vegan since 1990 and enjoy craft beer. So, keg all the way.


Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com
All Rights Reserved.

Additional Content © 2011 Troy Record

Tuesday, January 11, 2011

Bulmer Photography's
2011 NYS Conservationist Cover Image

[Above] Thacher Park Fog, Cover Image for the February 2011 Edition of the New York State Conservationist, Year of the Forests.

This image is one of my favorite images from the last 10 years. So, I am super excited about it being chosen to represent The Year of Forests issue.

Visit the Conservationist online at: www.dec.ny.gov/pubs/conservationist
Information about purchasing this image at www.firstlightlastlight.com

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com.
All Rights Reserved.

Wednesday, November 17, 2010

Rideline Photography in the Albany T.U. Bike Blog


One of my photos from the 2010 Bethlehem Cup has been featured in the Albany Times Union's Bike Blog. You can view the blog post here: November 16th, 2010 Times Union Bike Blog

Visit www.ridelinephotography.com or www.ridelinephotography.com/blog to view more images from the 2010 Bethlehem Cup.

© 2010 John Bulmer Photography | 1.866.317.6777
www.bulmerphotography.com | www.johnbulmerimages.com | www.throwingpixels.com
www.facebook.com/johnbulmer | www.twitter.com/johnbulmer

Sunday, April 19, 2009

Bulmer Photography in the Press



Photography experts help you pick out the right camera

In a day when we can easily snap pictures on cell phones and disposable cameras, getting the full beauty of the outdoors is often more complex than a simple point and shoot.

It is hard to describe the beauty of the outdoors in mere words. Photographers attempt to capture these sights from around the globe for the enjoyment of many more. However, it's important to consider that you will be lugging around all that gear.

"Choosing camera equipment for shooting on location takes some thought," said Allen Birnbach, a 30-year commercial and fine art photographer in Denver, Colo. "First, you have to consider the size and weight of the gear, especially if you will be carrying it around all day or plan on hiking into remote locations for an extended trip.

"One must think about the build quality, and how the equipment will hold up under the jarring and jostling of getting to the location, and deal with weather conditions once you are there."

Birnbach's commercial assignments for advertising and corporate clients have taken him to over 20 countries around the world. "I often times work in remote locations in transitional weather, and I want images that have the resolution to jump off the gallery wall at 30x40 inches," he said. "From the standpoint of rock solid dependability in that situation, my choice would be a Canon 1DsMkIII camera," which has a 21.1 megapixel digital single lens reflex, or DSLR.

John Bulmer, owner of John Bulmer Photography in Albany, N.Y., has shot adventure sports and remote landscapes in the Adirondack Mountains for more than 15 years.

"Mid-range DSLRs such as the Nikon D90 coupled with a 70-300mm f/4-5.6 lens offer a wide range of options without the bulk or weight of the heavier and more expensive pro-level cameras," he said. "The D90 reduces the learning curve with a variety of scene modes and in-camera image enhancement features.

Outfitted with a remote shutter release and a lightweight tripod like the Gitzo G1158T Traveler, the D90 can handle almost any shooting situation."

The D90 also has a more economical price tag for the average outdoor photographer, said Bulmer.

Ann Hawthorne, a National Science Foundation Antarctica program participant from Washington, D.C., knows firsthand how weather can affect your shooting.

"Digital cameras are not only battery hogs but battery dependent. An old Nikon FM2 and rolls of film can go forever in extreme temperatures — not so digital," she said. However, "my solution for working for days at a time in temperatures as low as 50 below was the simple, perfect, hard working Digital Camera Battery [or DCB]. Throw that charged puppy in its case with shoulder strap across your chest, under your arm inside your parka to keep it warm — connect it to your digital SLR and never miss a shot.

"I use the 40 watt version — small enough to hardly notice the added weight — and powerful, sturdy enough to never give it another thought. I am a dedicated, major fan. I could not have done the months long field work I have in the Antarctic without my DCB."

Outdoor photography means more than scenery for many photographers. Shooting wildlife with your camera means subjecting yourself and equipment to the same environment that your subjects feel most comfortable in — even if it is a 120-degree summer day to catch a tiger drinking from a waterhole or a dusty jungle in India.

Former U.N. photographer John Issac now concentrates on wildlife and nature. He prefers an Olympus E-3 has built in stabilizers and dust reduction features. "One has to remember when you are trekking and carrying a lot of our necessities on your back, you have to travel light. I carry a monopod sometimes because when the light is very low you need a little support," he said.

One more item many photographers say is necessary for good outdoor photography is high-quality photo editing software. While a photographer will look to take the perfect shot, sometimes poor lighting or other natural element can get in the way.

PHOTO CAPTION: The ideal camera depends on your skill level and what you need. For example, the Nikon D90 is portable and easy to use. CNS Photo courtesy of Nikon

COPYRIGHT 2009 CREATORS NEWS SERVICE