Showing posts with label John Bulmer Media. Show all posts
Showing posts with label John Bulmer Media. Show all posts

Monday, August 19, 2024

A Love Letter to Photography on World Photography Day


A Love Letter to Photography on World Photography Day
By John Bulmer, John Bulmer Photography

Life is full of fleeting moments—some slip away, while others stay with us forever. Photography has this incredible ability to capture those moments, freezing them in time. On World Photography Day, I find myself thinking about how photography isn’t just about preserving our personal memories—it’s about shaping how we see the world. It captures our highs, our lows, the progress we’ve made, and the challenges we still face, connecting us to each other in ways that words alone can’t.

The first time I picked up a camera, I felt its magic—the ability to stop time with just a click, turning a moment into a memory that lasts. Some of the most powerful images in history, like the "Tank Man" standing alone against a line of tanks in Tiananmen Square, make us confront the past and remind us of the need to keep pushing for justice. Equally powerful are the photos from the Civil Rights Movement, showing the stark contrast between one group’s halcyon days and another group’s painful reality. Images of young Black students braving hostile crowds as they integrated schools, or protesters facing fire hoses and police dogs, force us to face the harsh truths of our capacity for inhumanity.

Then there are the images of tragedy, like those from 9/11, which remind us of the deep pain that can bind us together in shared grief. Or the heartbreaking photos from humanitarian crises around the world, showing people fleeing war and famine. These images push us to care, to act, and to remember our shared responsibility to help each other. But photography also gives us hope. The sight of soldiers returning from long, hard deployments to the open arms of their families reminds us of the enduring power of love and resilience. These moments of reunion capture the strength of the human spirit, even after the darkest times.

On a more personal level, photography captures the everyday milestones that mean the world to us—like the images of our children’s first days of school, or those Facebook memories that pop up, reminding us just how quickly time moves. These photos urge us to stop and take a look around, to not just observe life, but to truly see it. They remind us that while life moves fast, we can still hold onto the moments that matter.
Some people say that with smartphones and billions of photos being taken every day, photography has lost some of its power. I don’t agree. If anything, it’s made each of us a storyteller, capturing our lives in a way that’s never been possible before. We are now the narrators of our own stories, curating and capturing our lives like never before, and that’s powerful. Every photo we take, whether we share it or keep it to ourselves, adds another layer to our story and to the collective story of humanity. The ubiquitous smartphone camera has also enabled real-time photo content of breaking news and developing stories, allowing us to be better informed instantaneously by citizen journalists.

The photos that mean the most, though, are often the ones we keep tucked away—those personal treasures that anchor us to our past and keep loved ones close, even when they’re gone. Looking at childhood photos, for example, can bring back the simple joys of those days. Photography isn’t just about capturing an image; it’s about holding onto the feelings, the voices, the essence of life in that moment.

In a world that’s always changing, photography is one of the few constants. It’s our way of saying, “I was here. This mattered.” Whether it’s a global event or a quiet, personal moment, photography helps us find meaning and reminds us that we’re all part of something bigger. And while it’s important to live in the moment, it’s also important to capture those moments—so we can look back, remember, and share them with others.

Today, I’m grateful for all the moments I’ve captured, the people I’ve met, the places I’ve been, and the stories I’ve told through my lens. But most of all, I’m thankful for how photography brings us closer—to our past, to each other, and to the world around us. Every photo holds a piece of who we are—our struggles, our joys, our growth. Here’s to photography, the keeper of our memories and the reflection of what it means to be human.

We are all photographers. We are here, and it matters.

All Content © 2024, John Bulmer Photography. All Rights Reserved. 

Sunday, August 4, 2024

The Bloody Pit

Eastern Portal, Hoosac Tunnel, Large Format Image, 2024

The Bloody Pit
By John Bulmer, John Bulmer Photography

Author's Note: The Hoosac Tunnel, also known as the Bloody Pit, has always fascinated me. If you've ever been there, you know its eastern portal lies deep in a secluded valley alongside the Deerfield River. The valley feels isolated, with cell signals barely reaching past the tree-covered walls that surround it. It’s a beautiful spot, dotted with farmhouses, old bridges, and even an abandoned power plant. The Yankee Atomic Electric plant, which was permanently shuttered in 1997, sits quietly nearby. Over the years, I’ve taken numerous photos of the Hoosac Tunnel, and this is my most recent, captured with a large-format camera. The tunnel’s history is fascinating when you think of all the lives that it claimed and their impacts, but if you visit, please don’t enter. The tunnel stretches nearly five miles and is still active, with freight trains passing through a few times a day. There’s no room to escape if you’re caught inside. When I was much younger, before security around infrastructure tightened post-9/11, I ventured into the tunnel with a camera. The sounds inside are disorienting, masking the noise of oncoming trains. Your eyes start to play tricks on you, and the echoes create a strange, unsettling atmosphere. It’s not difficult to see why some of the lore surrounding the tunnel persists.
 
The Hoosac Tunnel, known to many as the "Bloody Pit," is more than just a feat of 19th-century engineering—it's the epicenter of eerie legends. This 4.75-mile-long railroad tunnel, which carves through the Hoosac Mountain range in western Massachusetts, has a history steeped in tragedy. The tunnel’s construction, which claimed the lives of around 200 workers, left behind a legacy of haunting tales that still capture the imagination.

The tunnel’s grim reputation took root almost as soon as construction began in 1851. Spanning over two decades, the project was plagued by financial woes, dangerous working conditions, and frequent, often fatal, accidents. As the body count rose, whispers of a curse began to circulate among the workers. The tunnel earned the ominous nickname "Bloody Pit" after a catastrophic explosion in 1867 claimed 13 lives, casting a shadow of dread over the site.

Stories of ghosts haunting the Hoosac Tunnel began to emerge soon after the 1867 explosion. Survivors reported hearing the disembodied voices of their deceased coworkers and even claimed to have seen their apparitions drifting through the dark, damp passages of the tunnel, seemingly lost between worlds. These sightings became so common that many workers refused to enter the tunnel after dark, fearing the restless spirits within.

Among the most chilling tales from the Hoosac Tunnel is the story of Ringo Kelley, a worker blamed for an explosion in 1865 that killed two of his fellow laborers. According to legend, Kelley vanished after the incident, only to be found dead a year later in the very spot where the explosion had occurred. His death was never fully explained, leading some to believe that Kelley was taken by the vengeful spirits of the men he had wronged.

Another persistent legend involves the so-called "Phantom Workers"—ghostly figures dressed in old-fashioned work clothes, seen by both laborers and later visitors to the tunnel. These apparitions are often spotted carrying tools or lanterns, and witnesses have reported hearing the sounds of pickaxes and hammers echoing through the tunnel, even when it’s empty. These spectral laborers are believed to be the spirits of those who perished during the tunnel’s construction, doomed to continue their work in the afterlife.

Today, the Hoosac Tunnel remains a magnet for paranormal enthusiasts and thrill-seekers alike. Over the years, numerous ghost hunters have ventured into the tunnel, many claiming to have encountered the supernatural. Some have recorded eerie, unexplained sounds—disembodied voices, the clinking of tools—while others have felt sudden drops in temperature or the unnerving sensation of being watched. The tunnel’s long, tragic history, coupled with its oppressive, shadowy atmosphere, makes it a prime location for ghostly activity.

The legends surrounding the Hoosac Tunnel are more than just ghost stories; they are echoes of the fear, hardship, and loss experienced by those who labored there. Passed down through generations, these tales have become a part of the region's identity. The deeper meaning of these stories is the human cost of industrial progress.

All Content © 2024, John Bulmer Photography. All Rights Reserved. 
The story originally appeared on www.johnbulmermedia.com

Thursday, January 18, 2024

Moon Rise Over Site 1 | 01.19.2024



Moonrise over Site 1 of my Grafton Ruins mapping project. This large fieldstone hearth, fireplace, and chimney has been left to the silence of the for the past 60 years.

You can learn about the Ruins of Grafton project here: https://www.johnbulmermedia.com/search/label/Ruins


© 2024 John Bulmer Photography + Nor'easter Films
www.bulmerphotography.com
www.johnbulmerart.com
www.noreasterfilms.com
All Rights Reserved   
 

Saturday, November 4, 2023

The Ruins of Grafton | A Photo Essay


The Ruins of Grafton
By John Bulmer, John Bulmer Photography 

It’s easy to forget what our modern landscapes looked like before us, before they became what we know them as today. Autumn is the perfect time to think about the contours of the landscape, as the leaves age beautifully and fall to the ground, revealing the natural features of the landscape that allow us to visualize what the land was like before we knew it.

Some of the land that Grafton Lakes State Park sits on was originally owned by the city of Troy and used for the city's water supply, but there are layers of history to be found in the park that predates its public land status. It was established as a park in 1963 and opened to the public in 1971. But the long history of indigenous populations, primarily Algonquian and Iroquoian-speaking nations, and European settlers, adds depth to the park's story.

During the American Revolution, Grafton residents actively participated in the fight for independence. The town, like many others in the area, witnessed military activities and strategic movements of troops. In the 19th century, the town's economy diversified, with the development of mills, sawmills, and other small industries, taking advantage of the water power from the many streams in the area. Today, most of the relics of the time before it became a park have vanished under decades of decomposing leaf litter and the natural processes that will eventually reclaim all that has been built.

In the corners of the park today, relics from the past can still be found if you know where to look.
In the 18th century, Grafton's early economy was primarily agricultural, with settlers engaging in farming and small-scale industry. Evidence of this lost industry runs through the park like lines on a long-lost map in the form of stone walls. These weathered stone walls silently tell tales of the past, remnants often moss-covered and partially hidden beneath layers of leaves, standing as enduring markers of the state's agricultural history. Constructed by early European settlers, these stone walls served as boundaries, enclosures, and property lines for farms and homesteads. Each stone, meticulously placed by hand, reflects the labor and dedication of the settlers who cleared the land, one stone at a time, to make way for fields and pastures. Witnessing them today, it’s hard not to speculate about the massive amount of labor required to construct them. Over the years, as agriculture shifted and forests reclaimed the land, these walls endured, becoming integral parts of the natural landscape.

If you look the next time you are in the park, they are everywhere, and once you notice them, you will never look at the landscape the same way again.

Not far off some of the dirt roads that serve as the major thoroughfares of the park, evidence of the people who lived here before can be found at the intersection of some of the many stone walls. In numerous locations, hand-built stone foundations remain visible. They are containers open to the sky, holding the artifacts of someone’s life: apothecary bottles, plates, rusted cars, the wheels of a child’s wagon, and old telephone wires. Moss-covered concrete blocks remain in the forest, their regular, straight lines standing out in stark contrast to the organic lines of the forest. Each find is a tangible connection to the past. The infrastructure of old telephones and power boxes also remains; if you follow their breadcrumb trail of artifacts through the forest, you can get a sense of what this little corner of Rensselaer County must have looked like before the park was established.































© 2023 John Bulmer Media, John Bulmer Photography.

Monday, July 4, 2011

Riding is Rebellion


[Above] Riding is Rebellion : www.ridingisrebellion.com

I have had this concept in my head for a some time now. I always say "Riding is Rebellion" as I pass cars as they are stalled in traffic. Anyone who has ever carved a turn on a road bike, bombed downhill real estate on a full suspension rig, or even just tooled around the neighborhood on a beach cruiser, has tapped into that unique feeling only a bike can produce. Riding is rebellion.

Over the next few months, I plan on rolling out a line of t-shirts, hoodies, and stickers with the RIR logo.

Visit www.ridingisrebellion.com for updates and product information.

© John Bulmer Photography : Rideline Photography & Media
Visit the Rideline Flickr Photostream
Saratoga, New York | 1.866.317.6777


Wednesday, May 11, 2011

John Bulmer Photography
in the June 2011 New York State Conservationist

[Above] John Bulmer Photography has 2 images in the June 2011 New York State Conservationist's feature More Than a Working Forest.

More Than a Working Forest outlines New York State's 2010 acquisition of 89,000 acres as a working forest easement. I am again honored to be included in such a publication. I feel strongly about the preservation of open and wild spaces. Each year I spend countless days in the Adirondack backcountry hiking, climbing, and shooting images like the ones above. I look forward to exploring these newly acquired lands.

[Image 1] Summit View from Maccomb Mountain, Adirondack Park, New York State
[Image 2] Hiker in the rain, Lower Wolfjaw Mountain, Adirondack Park, New York State.

Visit the New York State Conservationist's Website [here]
Visit www.fortysixpeaks.com to view more of my backcountry and action sports photography.

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com.
All Rights Reserved.

Some content © New York State Department of Environmental Conservation, Conservationist Magazine.

Tuesday, February 8, 2011

John Bulmer Media + Design [site redesign]


[Above] John Bulmer Media + Design : Redesign
February 2011

Check out the new site at www.johnbulmermedia.com

Flickr Photostream at: www.flickr.com/photos/johnbulmer
© 2011 John Bulmer Photography : www.bulmerphotography.com.
All Rights Reserved.

Wednesday, November 25, 2009

John Bulmer Media [Site Launch]


[Above] Site Launch : John Bulmer Media : www.johnbulmermedia.com
Site is the completion of www.johnbulmerdesign.com

John Bulmer Media is an information hub providing the latest news and social media updates for John Bulmer Photography, Killswitch Magazine, and Revolution 7 Creative.

Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com
John Bulmer Design: www.johnbulmerdesign.com

Flick Photostream at: www.flickr.com/photos/johnbulmer

Thursday, November 19, 2009

John Bulmer Media


[Above] John Bulmer Media [Beta] is now live.
You can view the site at: www.johnbulmermedia.com

Photography Portfolio: www.johnbulmerimages.com
Revolution 7 Creative: www.revolution7.com
Design Newswire: www.r7newswire.com
John Bulmer Design: www.johnbulmerdesign.com

Flick Photostream at: www.flickr.com/photos/johnbulmer