Showing posts with label Landscape. Show all posts
Showing posts with label Landscape. Show all posts

Thursday, January 16, 2025

Antiquity Project: Cohoes Falls Stereograph




Antiquity Project: Cohoes Falls Stereograph 
Cohoes, New York 
Large Format Image, Stereograph 

As part of my Antiquity Project—which explores landscapes in the Capital Region through century-old photographic techniques—I set out to create something that would truly connect me to the past: my own stereograph. After countless hours studying stereographs from the late 1800s, I felt it was time to move beyond simply researching them and experience the process of making one myself.

This stereograph features the Cohoes Falls, captured in a way that honors the techniques of historic landscape photographers. They had this remarkable ability to show as much of the scene as possible, making every detail—from the rushing water to the rocky edges—feel alive. To bring this piece to life, I hand-colored the accompanying image, a time-honored practice that added warmth and vibrancy. I also designed a historically accurate photo logo and used 19th-century-inspired typefaces to keep the aesthetic true to its roots.

What is a Stereograph?

A stereograph, or stereoscopic card, was like the virtual reality of the 1800s. It’s a pair of nearly identical photographs mounted side by side. When viewed through a stereoscope, the two images merge into one, creating a three-dimensional effect that feels surprisingly modern.

In their heyday, stereographs weren’t just images—they were adventures. They brought faraway places, historical moments, and stunning landscapes right into people’s homes. Photographers of the time worked carefully to show every detail, framing their shots to pull viewers into the scene. Whether it was a sweeping mountain range or a bustling city street, the images felt immersive, almost like stepping into another world.

Stereographs didn’t just entertain—they educated. They helped people see the world in a new way, shaping perspectives and sparking curiosity. It’s amazing to think that something so simple could pave the way for modern 3D imagery, but it did. These little cards remind us of how powerful images can be when they’re designed to make us stop, look, and wonder.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
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Thursday, May 15, 2014

Micro Landscape: 3" Mountains



[Above] Micro Landscape Before and After.

This mountain sunset is only 3 inches high. The base image (lower panel) is an underwater GoPro capture of a wave breaking over shore rocks. The sunset is real, it's the setting sun broken through water

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Tuesday, December 23, 2008

Troy: Large Format Print


[Above] Troy Skyline
Large Format, Finished Print 42" Wide
Metallic Pigment on Archival Paper
$600.00 USD

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Sunday, October 12, 2008

Troy in Miniature


[Above] Troy in Miniature

Shot this from the large TROY sign in Prospect Park with a LensBaby 2.0. Actually, I shot about 30 of them because the LensBaby is so unpredictable. The rangefinder effect was achieved by not compressing the lens and a lot of trail and error.

[Below] Skeleton from Halloween Display
Manchester, Vermont

I love hoakey Halloween displays. Love everything about Halloween. Love bad horror movies once a year, like Adrienne Barbeau in the original version of The Fog. Love watching normal people turn into freaks. Getting a glimpse into people's repressed, wishful secret identities by what they choose as a costume. Love the randomness, like being able to drive through downtown Albany and see the droogs from A Clockwork Orange skulking down North Pearl. Almost makes me want to dust off the first White Zombie CD and anything by Glenn Danzig.

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Sunday, February 10, 2008

Elevated Trail

[Above] Elevated Mountain Bike Trail
Hudson River Tidal Zone
Somewhere North of New York City


Image sequence for Northeastern Revolution Video Production

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Tuesday, November 13, 2007

Farm in Fog

[Left] Farm in Fog
Rural Rensselaer Country
New York State

35 mm Test Image

I developed an affinity for farm landscapes over thousands of miles of cycling. Country roads provide the best terrain and a refuge from the traffic of suburban roads. To this day, farms still remind me of summer group rides, pace lines, and Italian steel.

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Sunday, November 4, 2007

The State Theatre

[Left] Foyer Lights,
The State Theatre
Ithaca, New York

America was once an empire of theatres.

Today, the empire has gone the way of the classic American dream scenario: ride the crest of success through the window of opportunity before someone who is better funded, more adept at reading market trends, and more agile, comes along and paints the window shut.

The State Theatre of Ithaca opened its doors on December 6th 1928. Vaudeville shows filled the stage 3 nights a week with an eclectic patchwork or magicians, acrobats, athletes, and anyone else with a talent unique enough to justify the price of admission. The 1930’s ushered in the era of film and the theatre was converted into a movie house. Ten years after that, people stared, wide eyed, at the movie screen as weekly war reels flashed glimpses of the Oklahoma burning at Pearl Harbor and later, the fire bombing of Europe. Somewhere beyond the confines of the city, the struggle of good versus evil raged in places with abstract names. The cinema provided both information about the outer world, and an escape from the anxiety of the war effort. The cost of admission bought a 2 hour refuge.

It was the 1980’s that would eventually prove fatal for the State Theatre. Years of disrepair combined with the effects of America’s mass suburban exodus finally closed forced the State to close its doors for good. The lights in the photos above went dark. The empire had lost one more outpost.

Today, the outposts are connected to food courts, film is digital, analog is THX, movies are product placement advertisements, and Clark Gable is George Clooney. Not better or worse, just different.

Tonight I am sifting through more photos from the past year, backing up files, assigning key words to images in my database, while watching reruns of 1970’s cinema. The dispatches from the empire of theatres remind me of the days of seeing movies with my father as a kid. Going to the theatre was always a big deal in the days before DVD's and DRV's.

Right now, a half sunburned Richard Dreyfuss is frantically sculpting the Devil’s Tower from mashed potatoes. I had forgotten how striking the Spielberg’s cinematography was in 1977's Close Encounters of the Third Kind. As Roy Neary’s (Richard Dreyfuss) utility truck rumbles across rural Indiana in pursuit of the mysterious lights, the immense darkness becomes part of the cast of characters. In some of the best cinematography of the last 30 years, the lights of Neary’s truck appear fragile and insignificant under the blackout of the Indiana night. The scale of man, machine, and landscape combine to construct the perfect metaphor for the entire movie. The empty spaces of the countryside become as mysterious as the cold vacuum of deep space. Spielberg creates a character from the natural world while simultaneously illustrating the scale of our existence, something that every landscape photographer strives for.

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Tuesday, October 16, 2007

Observation Deck

[Left] Tidal Pool
Nauset Light Beach
Eastham, Massachusetts

The warm weather arrives as swarms of tourists descend on the Bourne rotary. The locals look toward the summer invasion with mixed emotions. A simple equation: the revenue is needed, but the sudden population boom makes life harder. The increase in summer residents increases everything. Gas prices rise, lines at the Ben and Jerry’s snake out the door, beaches fill up at 10am. You can’t have paradise without the infusion of outside capital. The summer may seem chaotic, but for year-rounders, there is precision in the absurdity.

People measure life here by summer seasons.
The seasons come and go as do the traffic jams and rear end collisions along Route 6. The summer is invaded with interlopers in minivans with cargo carriers, endless, black SUV’s and BMW’s up from Boston. For the locals, it is the price of living here.

The Cape depends on the countless people who travel here every year with hopes of a few days of a life less ordinary. Kids mug for one time use cameras. Vacation memories to be stored, undeveloped, in a small 24 exposure cardboard container. Oversized beach umbrellas bloom like flowers in the mid morning heat. There is a delicious sense of rebellion in being at the beach at 10am on a Wednesday. Where would you be right now? Staring at a computer? Having the same conversations about the same obvious observations? Discussing morning traffic over paper cups of coffee service coffee?

Roadside ice cream stands burn bright under bent neon. Up in Provincetown, the lots are all full and Commercial Street is a sea of shoppers, people watchers, vendors, and drag queens. There is a sense of crowding and of limited space, but these are the memories that will endure into the winter, when there is no green and the daylight seeps out in mid afternoon. But for now, life is easy. Your desk is empty and you are still securely insulated in dislocation of a week away. Your time away is a precious commodity and there is still plenty to enjoy.

All over the cape, people feel the distance and space in different ways.
* At day’s end, a man stands on the observation deck above a national seashore beach. Slowly, he scans the horizon through binoculars looking for information in the blackout of the Atlantic. It is an opportunity to use his binoculars for something more exciting than trying to discern the make and model of the neighbor’s new TV set. He feels like the star of a National Geographic Special, like what he is doing is supremely important. The wind whips at the beach grass below the wooden platform and he thinks to himself how we would give almost anything to be capable of bottling the feeling of nights like this one. Behind him, the world could fall away and it wouldn't matter at all. Stores could cut the lights and close without notice, there could be breaking news of celebrity DWI's, the cable could be out, the network down, spam could be closing down the inbox with promises of something for nothing, but it wouldn’t matter. He would trade all the Monday nights wasted watching football for just one evening like this one, once a year. None of it matters right now. The ocean smells beautiful. He exhales in the same way, at day’s end, beach grass exhales moisture back into the air.

Soon the teeth of night will be upon the observation deck and that would be just fine. He could stand there all night, watching the colors change before eventually fading to a black that is impossible over the city where the light pollution muscles the stars out of the sky. But tonight, he could stand there and watch unattached lights moving in the darkness. Boats travel under the cover of night and there is a story attached to every deck light out past the white crescents of the breakers. Darkness and distance erase pattern or logic. He could stand there. Stand there until the cold beats him back. It is times just like now that are perfect for speculations that are often buried somewhere far below the day’s chores. It is perfectly O.K. to philosophize while standing on the edge of something as large as the Atlantic. For that brief instant, your place in the world is completely understood. Raising such questions in the over engineered confines of a Starbucks seem silly. But here, as the salt air whips around your legs, the moratorium on clichés [even this one] has been lifted. Live it to the fullest because you know, somewhere in the places in your mind that never seem to quiet down, not far from the surface, the knowledge that real life is waiting for you exerts a gentle pressure. You will be back chasing down actionable tasks soon enough. Paradigms need changing. Quotas need to be met. But for now, the world falls away, nothing exists outside the black framed circles of a pair of $200, waterproof, nitrogen filled, digital zoom binoculars.

* For an enhanced experience, please read the above aloud while at a coffee house while wearing a black sweater, oil paint splattered jeans, and a paste on goatee. A monotone beat generation drawl is strongly recommended. I wrote this after an evening's photo session on the Cape in 2005. Listening to Soul Coughing' s classic Screenwriter's Blues, I amped up the fake spoken word drama. I was sitting in the car at the edge of the Nauset Light Beach parking lot. Less than a hundred feet to the east, Nauset Light swept the horizon with light at regular intervals. A man dressed in that psuedo-safari gear and a Tilley hat stood at the edge of the observation deck staring out into the blackout over the Atlantic. Vacations bring out all the gear accumulated from a year's worth of trips to Eddie Bauer and L. L. Bean. After all these years I still can't explain why some men feel the need to look like Magnum PI while on vacation. I wondered if he was the typical, suburban American: 2 weeks vacation and hundreds of hours of overtime in order to keep a McMansion and 2 luxury SUV's afloat.

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Saturday, October 6, 2007

Herring Cove Lifeguard Station

Tonight, I am in the process of reviewing images from the summer. It's the time of year when I make the determination what will be available as stock images on other sites, what I will keep for myself, and what I will file away in R7's vault for future design projects. The last decade has eroded the profession of graphic design. Today, it seems like everywhere I go I meet a fellow designer, or aspiring designer. [And I live in a small market] It also seems like there are a million shell companies on the web that amount to nothing more than a person with a computer and some spare time. I created R7 [Called Seven Ink back then] in 1993 and I pride myself on being able to offer original photography as well as progressive design. In many ways, photography has taken over R7's primary focus. Photography has yet to be eroded in the way design has. Anyone can buy a design application and use a template and produce something passable, but not everyone can go out and take a really successful photo. Until the technical barriers of photography are simplified and sold, I will take refuge with my cameras from the cliches of the design world.

Herring Cove Lifeguard Station is another favorite from summer 2007. We were on the Cape for a week in August when I shot this sunrise photo. I must have driven by scene thousands of times since I was a child, yet, I never considered exploring Herring Cove's possible images because of the proximity of Race Point and its 2 antique guard stations and secluded lighthouse without road access. I managed a few really good shots from that trip and this is one of them. This was our first real trip with our newborn, so, sleep came at a premium. Not realizing that my focus would be more directed at our newborn daughter than photography, I packed enough camera gear for a Himalayan expedition. I should have just brought a DSLR and a film SLR, lenses and a tripod, but I packed for every contingency. I always do. I even had intentions of shooting star trails surrounding Pilgrim Monument in Provincetown. Next time I will be more realistic.

Shooting this image is a great memory. The morning was warm and the roads were deserted. The world was inhabited by a few surf casters, neoprene surfers, shore birds and me. Looking at the image now, the architecture seems slightly old-world Cuban or maybe Caribbean. I especially love how the building seems nestled in the dune grass. This print is available up to 30 inches on metallic paper with custom reclaimed wood framing options.

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