Sunday, December 21, 2025

Canal Boneyard Field Series | Restoration Obscura













Canal Boneyard Field Series | Restoration Obscura 

Exploring ruins is always compelling, regardless of scale or setting. As part of my ongoing fieldwork with Restoration Obscura, one of the core goals is to document and identify lost and erased structures embedded within modern landscapes and built environments, treating them as an archive rather than as anomalies.

Some of the most compelling sites I encounter are tied to water. Rivers, canals, reservoirs, and floodplains conceal and preserve material history differently than land does. As water levels drop in winter and ice begins to bind along the shoreline, structural forms that remain invisible most of the year can briefly surface.

In this case, the ruin is not vertical. It lies low in the water, revealed seasonally when river levels fall and winter locks the surface into ice, in a quiet reach where industrial traffic once moved steadily through the interior waterways of the region. What appears first are outlines, long rectangular hull forms pressed just beneath the river’s surface. Then details come into focus. Parallel longitudinal timbers. Upright iron fasteners. Frames spaced with the regularity of working boat construction rather than shoreline infrastructure.

At a distance, the exposed framing reads like rib cages laid side by side, the structural skeletons of working boats gradually opening as water, ice, and time strip them down to their load-bearing elements.
As shoreline growth recedes and water levels drop, forming ice lightens the surface and the dark timbers stand out in contrast, briefly revealing the hull geometry. What remains reads as exposed hull structure: bottom planking long gone, deck timbers collapsed or missing, framing members still holding their spacing as the vessels settle flat into the riverbed.

These remains are wooden canal barges, often referred to as scows, built in the late nineteenth and early twentieth centuries for use on New York’s canal system. Their flat bottoms and rectangular hulls were engineered for shallow, controlled waterways, where boats moved slowly under tow, carrying bulk cargo such as stone, timber, grain, and coal. Construction was heavy and utilitarian. Thick longitudinal timbers formed the hull. Cross members supported decking that has long since disappeared. Iron drift pins and spikes held the structure together, many of them still standing where the surrounding wood has failed.

When rail transport and the modernized barge canal system rendered these vessels obsolete, they were not preserved or dismantled. They were simply no longer useful. Many were towed into shallow slackwater and abandoned, where they settled into the riverbed. Seasonal ice fixed them in place, while floods and decay gradually rearranged what remained.

What survives now is a boneyard. Not a single wreck, but a cluster of working boats left behind when the system that relied on them moved on.

© 2026 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 

The Stone Chambers of Putnam County | Restoration Obscura





The Stone Chambers of Putnam County | Restoration Obscura 
Field Photo Series 

Across Putnam County, stone chambers appear in the woods, built into hillsides and ridgelines. There are 
no surviving records that identify who constructed them or why. They do not appear on early maps and are rarely mentioned in local histories.

The chambers share common features: stacked stone walls, heavy capstones, narrow entrances, and repeated placement along specific slopes and elevations. In several locations, the orientation of chamber openings corresponds with the position of the sun during seasonal transitions, a pattern documented elsewhere in the region.

This Restoration Obscura Midweek Feature documents these structures as they exist on the landscape and examines how they overlap with other long-standing legends of the Lower Hudson Valley.

Read the full feature on Restoration Obscura, or listen in the Substack app here.

© 2026 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 


Monday, December 1, 2025

Hoosac Tunnel Compressor Ruins | Restoration Obscura


Hoosac Tunnel, East Portal Compressor Ruins
Restoration Obscura Hoosac Tunnel Ruins Mapping Project

Winter settles over the last surviving arch of the East Portal compressor works, a remnant of the three-story building that once housed the turbines and machinery that fed compressed air into the Hoosac Tunnel. The stone was cut from the same schist the crews pulled from the eastern heading, and it once supported a floor that shook with water power drawn from the Deerfield River. Compressed air and the new Burleigh drills changed the pace of construction in the late 1860s and marked the moment when the project finally began to advance through the mountain.

Today the arch stands quiet in the falling snow. The turbine pit is buried, the sluiceway is hidden in the hillside, and the upper floors have slipped back into the forest. Induction artifacts and scattered infrastructure fragments remain throughout the landscape, small traces of the power systems that once drove work inside the mountain. These ruins are part of the Restoration Obscura Hoosac Tunnel Ruins Mapping Project, an effort to chart the full industrial footprint of the tunnel and the long reach of its past. The Bloody Pit is far more than the eastern and western portals and the central shaft. It is an entire corridor of work sites, alignment towers, and industrial ruins stretching along the Deerfield and up the flanks of the Hoosac Range.

You can find more information about the Hoosac Tunnel on Restoration Obscura or by listening to Episode Three of the Restoration Obscura Field Guide Podcast.

© 2025 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 


Saturday, November 22, 2025

Poestenkill Falls | Restoraton Obscura


Poestenkill Falls // Troy, New York
42°43'14.79"N / 73°40'42.16"W

Photographers have been making images from this spot since the 1800s, when early practitioners carried heavy cameras and fragile glass plates into the gorge to fix the falls in long, deliberate exposures. Some of the region’s earliest landscape photographs were made right here, recording the same stream and dramatic movement that continues to shape the descent today.

To honor that lineage, this photograph was created through century-old optics, using glass crafted in the era when those first images were made.



Long before photography reached the Capital District, the Poestenkill powered the early industrial rise of Troy. The falls drop into a narrow gorge cut through the Rensselaer Plateau, and that dependable fall line made this one of the city’s earliest and most productive mill sites. By the early 1800s, water from the Poestenkill was being diverted through races and flumes to drive textile mills, tanneries, iron works, and small machine shops along its banks. This industrial corridor shaped Troy’s growth and helped cement its reputation for iron, stoves, bells, and later shirt manufacturing.

The falls remained a landmark even as the surroundings industrialized. Nineteenth-century photographs show mill buildings perched close to the gorge and footbridges spanning the water, evidence of how closely the natural drop and the built environment once intertwined. As industry shifted and many of those structures disappeared, the falls retained their basic form, shaped far more by geology than by the machinery that once worked at its edges.

What survives today is the same stepped cascade that drew early photographers, mill workers, surveyors, and naturalists. The river has carried on through changing eras of industry, decline, and restoration, leaving the falls as one of the most steady and familiar features in Troy’s evolving landscape.

© 2025 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 

Thursday, November 6, 2025

Return To The Hoosac Tunnel | Restoration Obscura













Restoration Obscura Photo Feature: Return to the Bloody Pit
Eastern Portal, Hoosac Tunnel
42.6937° N, 72.9994° W

Last week I returned to the Eastern Portal of the Hoosac Tunnel with antique cameras and a plan to map the forgotten ruins that still line the slope above the grade. The bare trees and gray skies of November fit the reputation perfectly. Scattered through the woods are the foundations of compressor housings and the stone footings of the old alignment towers, built to keep the tunnel’s twin headings perfectly true as engineers bored from both sides of the mountain. These remnants frame the eastern approach to one of the most ambitious engineering projects of the nineteenth century.

To the left of the main portal lies the 1853 test bore, an early attempt to cut into Hoosac Mountain using a newly designed steam-driven rock drill. The experiment advanced only about ten feet before the machine shattered against the rock and seized. The shallow recess that remains, mostly buried in loose stone and runoff, marks the site of that first setback in a long and punishing effort to push a railroad through solid mountain.

Construction of the Hoosac Tunnel continued through two decades of political scandal, contractor disputes, and technological change. Workers blasted and drilled their way through nearly five miles of rock, facing deadly gases, flooding, and frequent explosions. The 1870 collapse of the central shaft and the earlier 1867 shaft fire, when thirteen men were trapped and suffocated underground, cemented its grim reputation. In all, more than 190 men died driving the railroad through the mountain. Newspapers began calling it The Bloody Pit, a name that stuck as stories spread of ghostly lights and phantom voices deep within the bore.

Today, the eastern portal exhales a steady draft of cold air from the depths. Beside it, the remains of that 1853 test bore sit half hidden in the slope, a scar of ambition, invention, and loss at the mouth of one of America’s most haunted works of engineering.

You can explore more about the Hoosac Tunnel on Restoration Obscura, and hear the full story in The Bloody Pit, an episode of the Restoration Obscura Field Guide Podcast, available wherever you listen.

More at www.restorationobscura.com

© 2025 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 

Tuesday, September 23, 2025

Night Ruins | 09.23.2025


Night Ruins | Saratoga County, New York

This 19th-century ruin likely served the canal economy, built of local stone and brick, with a chimney suggesting industrial use. Structures like this once lined canal corridors, supporting mills, warehouses, and workshops that moved goods through the interior.

The interior with concealed LED panels, a method I’ve used on barns, farmhouses, and abandoned roadside ice cream stands. The red light creates visual contrast, making it easier to read the structure’s layout and surface detail. It emphasizes openings, material changes, and what still holds together, while adding a degree of mystery to spaces no longer in use.

Remnants like this are part of the ghost infrastructure still found along the edges of historical industrial zones, structures left behind as canal routes shifted and economies moved on.

You can read more on my Substack Restoration Obscura.

© 2025 John Bulmer Photography, John Bulmer Media, Nor'easter Films, and Restoration Obscura
www.bulmerphotography.com | www.johnbulmermedia.com
All Rights Reserved 


Tuesday, August 5, 2025

Wildfire Sunset | 08.04.2025


Wildfire Sunset | 08.04.2025
Washington County, New York 

© 2025 John Bulmer Photography, John Bulmer Media, Restoration Obscura, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.restorationobscura.com
www.noreasterfilms.com
All Rights Reserved

Saturday, July 12, 2025

Lightning Strike | 07.12.2025

Lightning Strike | 07.12.2025
Halfmoon, New York 

© 2025 John Bulmer Photography, John Bulmer Media, Restoration Obscura, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.restorationobscura.com
www.noreasterfilms.com
All Rights Reserved

Saturday, June 14, 2025

Why the Night Still Matters: Introducing Restoration Obscura’s Field Guide to the Night

 


Why the Night Still Matters: Introducing Restoration Obscura’s Field Guide to the Night
By John Bulmer, Restoration Obscura 

Most of us don’t experience real night anymore.

That’s where this all began, not with a dramatic realization, but a quiet one. The kind that settles in slowly, sometime around 4 a.m., when the sky above is hazy with glow and the Milky Way is nowhere to be found.

After seven months of writing in the early hours before sunrise, I completed a book that explores that quiet shift and what it means. Restoration Obscura’s Field Guide to the Night is now available, and it’s the first publication from Restoration Obscura Press, created to support future work exploring lost histories, vanishing landscapes, and the ways we remember.

This project grew from years of photographing the night sky and watching it change. Even within the last 20 years, the stars have faded dramatically. Today, more than 80 percent of Americans live under light-polluted skies. A child born in a major city may never see the Milky Way.

We’ve lost more than just a view. We’ve lost part of our cultural and ecological compass.

Field Guide to the Night traces how darkness has shaped us,from ancient rituals to Cold War infrastructure. It’s both a personal record and a historical investigation, divided into four thematic sections:

  • Darkness and Defense explores wartime blackouts, surveillance towers, and our attempts to control night.

  • Sky and Spectacle looks at how celestial events like auroras, comets, and eclipses have shaped human belief across cultures, including Indigenous cosmologies and sky traditions.

  • Silence and Survival follows the people who move through night to work, to migrate, or to stay safe—night laborers, fire lookouts, bootleggers, and more.

  • Light, Lost and Found examines how artificial illumination affects our sleep, mental health, ecosystems, and the fading night sky itself.

This book is part of a broader effort to understand and protect the night. It’s a companion to my ongoing work on Restoration Obscura, a Sunstack and podcast that explore hidden histories, overlooked places, and the quiet truths shaped by darkness.

Every time there’s an eclipse, a comet, or a burst of aurora, people flood social media with awe. We still look up. The sky still connects us. The question is whether we’ll keep that connection alive.

You can learn more about Restoration Obscura’s Field Guide to the Night at fieldguidetothenight.com or read the original post on the Restoration Obscura site. The book is available in paperback and Kindle editions on Amazon.

Thank you for reading—and for helping keep the night alive.


We were never meant to live without night. We were meant to remember it.

Book Details
Publisher: Restoration Obscura Press
Publication Date: June 1, 2025
Language: English
Print Length: 368 pages
ISBN: 979-8218702731
Availability: Amazon Prime eligible | Available worldwide on Amazon
Price: Paperback: $14.99 | Kindle: $9.99


© 2025 John Bulmer Media & Restoration Obscura. All rights reserved.
Content is for educational purposes only.

Monday, May 26, 2025

E-Comm Square, Infrared | 05.25.2025


E-Comm Square, Infrared | 05.25.2025
Albany, New York

This infrared black-and-white photo was taken today at the remains of E-Comm Square in downtown Albany.

The buildings along this stretch of Broadway date back to the mid-1800s, rebuilt after a devastating fire in 1848. For decades, this row was part of a thriving corridor of commerce and industry, warehouses, storefronts, and later, state offices. In the early 2000s, the property was acquired for a proposed convention center. When plans shifted elsewhere, the site was left behind.

Years of vacancy followed. Roof collapses. Red X placards. Emergency demolitions. Today, the block is mostly silent—its story told through fading signs and photos like this.

Infrared photography reveals what the eye doesn’t catch. Here, the green of spring foliage appears ghostly white, casting the scene in spectral contrast. It’s a reminder of how quickly nature begins to reclaim the built environment once we step away. Weeds rise through concrete. Roots settle in mortar. Decay isn’t dramatic, it’s patient.

The sign still reads “E-Comm Square,” but its function is long gone. All that remains is form, and nature, slowly taking it back.

Originally appeared on www.restorationobscura.com.

© 2025 John Bulmer Photography, John Bulmer Media, Restoration Obscura, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.restorationobscura.com
www.noreasterfilms.com
All Rights Reserved

Serenading the Storm | 05.24.2025


Serenading the Storm | 05.24.2025
Troy Waterfront Farmers Market, Troy, New York 

© 2025 John Bulmer Photography, John Bulmer Media, Restoration Obscura, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.restorationobscura.com
www.noreasterfilms.com
All Rights Reserved


Sunday, May 4, 2025

Pinhole Image: Former D&H Building


Pinhole Image:
Former D&H Building, now the SUNY System Administration Building
Albany New York

This pinhole image was made using a homemade camera — lanything light-tight can become a camera. The photo captures spring foliage rising around the building’s Gothic tower, a soft impression of a structure with a long and layered history.

History of the Building:

The D&H Building was completed in 1914 for the Delaware and Hudson Railroad Company and designed by Albany architect Marcus T. Reynolds. Its French Gothic Revival design — with turrets, stone carvings, and cathedral-like windows — gave the railroad a headquarters that looked more like a castle than an office.

It later became home to the Albany Evening Journal, tying it to the city’s media history as well. In the 1970s, the State University of New York acquired the building, converting it into the SUNY System Administration headquarters.

Hidden Details in the Sculptures:

Every detail carved into the stone tells a story. This isn’t just decoration — it’s a record of the people, industries, and institutions that once moved through these halls.

Look closely, and you’ll see figures worked into the stone: newsboys, railroad workers, and office clerks — everyday faces that reflect the building’s original tenants. Gargoyles and grotesques appear around corners and beneath ledges, some in traditional medieval forms, others with a more local character, almost cartoonish in expression.

There are sculpted trains and sections of track woven into the architectural flourishes, subtle nods to the Delaware & Hudson Railroad that commissioned the building in 1914. Faces carved into keystones may represent company executives, construction workers, or even the architect himself, Marcus T. Reynolds.

When the Albany Evening Journal also occupied the building, additional symbols found their way into the design — quills, typebars, and printing press motifs, still visible today if you know where to look.

Together, these carvings form a kind of visual archive. They anchor the building to Albany’s industrial and journalistic past — a physical record of the railroad men, newspaper staff, and city leaders who once passed through its doors.

Episode one of the Restoration Obscura Field Guide podcast is a primer on how to read the city like a history book. You can listen now on Spotify or any major streaming platform. A new episode drops Monday, May 5.

You can listen at: www.restorationobscura.com.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved


Monday, April 28, 2025

Albany Ghost Signs | Restoration Obscura | 04.27.2025







Signs of Another Time:
Albany’s Collection of Ghost Signs
For Restoration Obscura

In Albany, New York, you don’t have to dig far to find history — sometimes, you just have to look up.
Look up at the old brickwork downtown, and you’ll start to notice them: faded names, peeling slogans, hand-painted ads for cigars, clothing, and beverages that haven’t existed for decades.

These are ghost signs — relics of the businesses and industries that once powered the city. Painted directly onto the brick with durable, lead-based paints, they were meant to last. And in a way, they have — long after the shops closed and the companies disappeared, the signs remain, clinging to the sides of warehouses, storefronts, and row buildings.

Once you start seeing them, you’ll notice them everywhere, especially in the older cities of New York and New England. And each one pulls you back — not into a single, polished version of history, but into the rough, ordinary pulse of everyday life a century ago.

We explore how to spot these hidden histories — and how cities tell their stories through the things they leave behind — in Episode 1 of the Restoration Obscura Field Guide Podcast:
How to Read the City Like a History Book.”

 Open on Spotify

The Restoration Obscura Field Guide Podcast is available now on Apple Podcasts, Spotify, Amazon Music, and YouTube Music.

For information on www.restorationobscura.com

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved


Maiden Lane Hatch | Restoration Obscura | 04.27.2025


The Maiden Lane Hatch | 04.27.2025
Albany, New York 

At first glance, it just looks like another old hatch set into the cobblestones. Heavy iron framing, a rough rectangle of stones, blending into the worn surface of the Maiden Lane cobble stones.
But Maiden Lane isn’t just any alley.

It’s one of Albany’s oldest streets — the historic link between the Hudson River docks and the heart of the city.

In the 1800s, it buzzed with merchants, dockworkers, and shopkeepers, moving goods up from the waterfront into the city’s booming marketplaces.

Originally, this hatch led to the underbelly of that life. Coal for heating. Dry goods for storefronts. Supplies hauled straight off the riverboats.

But by the time Prohibition hit in the 1920s, the purpose of these hatches started to shift.
Basements once used for storage became hiding spots.

Vaults meant for goods started holding contraband.

And the sidewalk hatches — almost invisible to the casual eye — became perfect drop points for something a little more valuable than coal.

Barrels of bootleg whiskey. Crates of Canadian rum. Cases of illegal beer.

Albany’s location made it a natural stop on smuggling routes between New York City, Canada, and points west — and the network of basements, tunnels, and vaults around Maiden Lane helped keep the flow moving.

Today, the hatch on Maiden Lane looks like just another piece of old infrastructure.
But it’s part of a hidden story — one where cities adapted and survived by turning their very bones into lifelines for an underground economy. Most of the remaining hatches have been purposed for utilities access.

If you know how to read the city, you start seeing these clues everywhere.

We explore how to spot these hidden histories — and how cities tell their stories through the things they leave behind — in Episode 1 of the Restoration Obscura Field Guide Podcast:
How to Read the City Like a History Book.”

 Open on Spotify

The Restoration Obscura Field Guide Podcast is available now on Apple Podcasts, Spotify, Amazon Music, and YouTube Music.

For information on www.restorationobscura.com

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Monday, April 21, 2025

New York State Police EOD | 04.19.2025

 


04.19.2025 | New York State Police EOD investigating a suspicious package following April 19th's Hands Off Protest in Albany, New York 

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Tuesday, March 18, 2025

Cohoes Falls | 03.18.2025


Cohoes Falls | 03.18.2025
Cohoes, New York

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Bald Mountain Aerials | 03.16.2025



Bald Mountain Aerials | 03.16.2025
The aerials of Bald Mountain in Rensselaer County, New York scrape the underside of storm clouds.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Wednesday, March 5, 2025

Restoration Obscura: Call for Photos and Stories



Do you have a photo from World War II, Korea, or Vietnam that holds deep personal meaning? A moment of military service captured in time—faded, damaged, or nearly lost to history?

I am seeking photographs of service members from these pivotal eras to restore and share their stories. Each month, I will select one image to fully restore, research, and feature on my website and social media—ensuring these legacies are never forgotten.

Each time I put out a call for photos and stories, the response is overwhelming, and while I can only choose one per month, I do my best to highlight as many as possible.

You can submit your images to restorationobscura@gmail.com. Please include any details you know about the image—the subject, the time period, and the circumstances in which it was taken.

If selected, your restored image and its story will be shared on public social media platforms. As a thank you, I will also send you a high-resolution version of your restored photo to keep.

Every photo has a story.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Sunday, February 23, 2025

Flight Lock Squall | 02.23.2025


Flight Lock Squall | 02.23.2025
Waterford, New York 

Description: A snow squall passes over an empty Lock E6 in the Flight Locks at Waterford, New York.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved

Thursday, February 20, 2025

Restoration Obscura Case Study: Restoring the Face of a Fallen Airman

Restoration Obscura Case Study: Restoring the Face of a Fallen Airman 

Photographs are more than just images; they are echoes of the past, tangible proof that someone lived, that they smiled, that they stood in the sun. But time is unkind, and so is history. Some faces vanish into obscurity, their stories lost to yellowed newsprint and crude reproduction techniques.

For S/Sgt. Alfred F. Waichunas, that was almost his fate.  

Al was just 21 years old when he was killed in action on April 10, 1945, during a bombing mission over Germany. As the flight engineer and top turret gunner aboard the B-17 Moonlight Mission, he had a critical role—overseeing the aircraft’s mechanical systems and defending it from enemy attacks. But when German Me-262 jets struck his formation near Berlin, the aircraft took fatal damage. In the tight confines of the top turret, there was no room for him to wear a parachute. When the plane was torn apart in midair, he fell 15,000 feet to his death.  

His body was first buried in Germany by fellow crew members, then repatriated to the United States in 1953. But his only widely available image—a small obituary photo—was printed using the harsh halftone screens of 1945, reducing his face to a crude pattern of dots. The technology that recorded him was the same that erased him.  

The Challenge: Reconstructing a Face From Dots  

Newspapers of the 1940s relied on halftone printing, a process that transformed photographs into a grid of tiny ink dots. In 1945, most newspapers used 65-line screens, meaning only 65 dots per inch—coarse, imprecise, and unforgiving. Shadows were swallowed, details were lost, and young men like Al, whose faces appeared in the Killed in Action columns, became little more than ghosts in ink.  

Restoring such an image is not just a matter of cleaning up a scan. A halftone isn't a photograph—it’s an abstraction of one. Simply enlarging it only amplifies the pattern, and traditional sharpening techniques fail because there is no true detail to enhance. The only way to bring Al's image back was to rebuild him, pixel by pixel.  

Starting with his obituary photo, I worked through seven rounds of edits, many by hand on a tablet with a stylus, carefully filling in the spaces between the halftone dots to accurately recreate his face. This process required refining, smoothing, and reconstructing the missing details while staying true to his likeness.  

Once the image was smooth enough, I introduced it to machine learning algorithms, allowing AI to analyze his face and render him in a period-accurate setting. The final result: a fully realized, colorized image of S/Sgt. Alfred Waichunas, standing beside an aircraft in 1945.  

This is the only color image of him that has ever existed.  

Why It Matters  

The past is not just made of facts, dates, and records. It is made of people. People who laughed, who dreamed, who stood on runways waiting for their next mission, unaware that history would reduce them to paragraphs and grainy images.  

This is why I created Restoration Obscura.  

With years of historical photography research and restoration experience, I’ve dedicated my work to bringing the lost stories and images of heroes like S/Sgt. Waichunas into focus—and into color. This is more than restoring photographs. It is restoring memory. It is giving the past the dignity it deserves.  

Because history is not just something we remember. It is something we see. And some stories—some faces—are too important to fade away. We owe them that much.

© 2025 John Bulmer Photography, John Bulmer Media, and Nor'easter Films
www.bulmerphotography.com
www.johnbulmermedia.com
www.noreasterfilms.com
All Rights Reserved